Jumat, 16 September 2011

[Y779.Ebook] Get Free Ebook Abject visions: Powers of horror in art and visual cultureFrom Manchester University Press

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Abject visions: Powers of horror in art and visual cultureFrom Manchester University Press

Abject visions: Powers of horror in art and visual cultureFrom Manchester University Press



Abject visions: Powers of horror in art and visual cultureFrom Manchester University Press

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Abject visions: Powers of horror in art and visual cultureFrom Manchester University Press

This path-breaking volume brings together major international scholars to reflect on the vital importance and relevance of the concept of abjection for the interpretation of modern and contemporary culture. This genuinely interdisciplinary collection draws on the work of Georges Bataille, Judith Butler, Julia Kristeva and other key critical thinkers to produce innovative fresh readings of works of art, film, theatre and literature.

The clear and accessible essays that make up this volume extend the existing literature on abjection in exciting new ways to demonstrate the enduring richness and applicability of the concept of abjection in cultural thinking and in contemporary art practice. The collection includes contributions that look beyond an Anglophone context, considering works by Chilean-Australian and Indigenous Canadian artists.

  • Sales Rank: #332280 in Books
  • Published on: 2016-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .50" w x 9.10" l, .0 pounds
  • Binding: Paperback
  • 256 pages

Review
'The exploration of the implications of abjection: being abject, positioning as abject, for the visual and performing arts defines for this collection a double relevance. It adds to the study of abjection; it adds also to the analysis of a range of artistic practices... most of the chapters will themselves become significant in their areas while the whole performs an enlivening re-engagement and expansion of abjection as a term in contemporary cultural analysis.' Griselda Pollock -- .

About the Author

Rina Arya is Reader in Visual Communication at the University of Wolverhampton

Nicholas Chare is Associate Professor of Art History in the Department of History of Art and Film Studies at the Universit� de Montr�al

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